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This is what Gil Scott Heron doesn’t understand: Unless the revolution What really makes this tale of a day in the life of frozen Canadian morning talk radio host so mesmerizing is he’s never getting the complete story either.
It’s almost too post-structuralist for its own good at times but it makes terrific use of uncertainty–are these reports just drunk ice fishermen raising hell?
The attempts of the new student (a touching Laura Harris) to connect are pretty sweet; she’s almost the only human there, aside from stoner crank dealer Josh Hartnett, who gets harassed by hottie teacher Famke Janssen, and hey, it’s Usher!
Marilyn Manson sings a memorable “We Don’t Need No Education” over an ultra-violent football game.
Universal never seemed to care much about their Mummy series, and horror fans seemed to agree with them but this entry, The Mummy’s Curse (1944) has a special magic, due in large part to the weirdly modern bangs and cat woman litheness of Virginia Christine as the long-dead-presumably Princess Anaka.
Picking up, vaguely, from where the last in the series ended, the scene is the bayou where an unlucky irrigation project is underway, and mostly Italian stereotype-a workers are disappearing-a.
There’s a cozy tavern where the landlady sings and tries to help the princess work through her amnesia.“Veteran cinematographer Blomberg made his directing debut with this unusual film, which unfolds against a backdrop of glittering snow drifts and spindly trees so weighted down with snow that they look like Dr. Though often awkward, the film includes a handful of images so haunting that they linger long after the film is over, including the eerie reindeer cemetery, a forest of forlorn antlers poking up through the snow, or the moment when Pirita glimpses herself in a mirror, her teeth transformed into wolfish fangs.A must-see for horror completists, and one of the few films to explore Sami folkloric traditions.– and trenchantly delves deep into the way imperiled people instinctively turn to the media to provide a narrative structure for the chaos around them, and the way sometimes it’s all bluff, guesswork, and gallows’ humor on the part of the structurers.(more) Mario Bava’s quintessetial Victorian Gothic Italian rural villa ghost story takes a few viewings to really appreciate, but until then just admire the painterly photography.